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Mona, who has blushed rosy red at his kiss, is now beaming on her lover, and has drawn back her skirts to admit of his coming a little closer to her. He is not slow to avail himself of this invitation, and is now sitting with his arm thrown across the back of the wooden chair that holds Mona, and with eyes full of heartfelt gladness fixed upon her. "It is really hardly worth talking about," she says, grandly. "I was foolish to lay so great a stress on such a trifling matter. It doesn't signify, not in the least. But—but," the blood mounting to her brow, "if ever you speak of it again,—if ever you even mention the word 'heather,'—I shall hate you!" "Then get a chair for yourself, at least, as you will not permit me to go to your aid," he entreats. "I am your prisoner,—perhaps," in a low tone, "the most willing captive that ever yet was made.".
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As to Jack and Violet, they have grown of late into a sort of moral puzzle that nobody can solve. For months they have been gazing at and talking to each other, have apparently seen nothing but each other, no matter how many others may be present; and yet it is evident that no understanding exists between them, and that no formal engagement has been arrived at. As they sat there, Weasel Heart chanced to look down into the water and saw something. He said to his comrade, "Friend, do you not see something down there where the water goes around?" She sighs. There is pathos and sweetness and tenderness in every line of her face, and much sadness. Her lips are slightly parted, "her eyes are homes of silent prayer." Paul, watching her, feels as though he is in the presence of some gentle saint, sent for a space to comfort sinful earth. "If I made a mistake I am sorry for it.".
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